How to Be Single
Think of "How to Be Single" as a cinematic Whitman’s Sampler: There are enough pieces that work to offset the pieces that don’t.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A recap and report from backstage at the 73rd Annual Golden Globes.
The latest on Blu-ray and streaming services, including "Best of Enemies," "Shaun the Sheep Movie," "Mississippi Grind" and "Don't Look Back" on Criterion.
A Venice report on the latest from Charlie Kaufman & Laurie Anderson, as well as two other amazing films.
Lessons learned from "Rosemary's Baby"; What's missing from "Straight Outta Compton"; Keith Gordon on "The Singing Detective"; Rose McGowan's feminist revolution; Memories of Musso & Frank.
An excerpt from the August issue of Bright Wall/Dark Room on "Charade."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Simon Abrams.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Sheila O'Malley.
Your bi-weekly guide to the latest and greatest on Blu-ray and DVD.
An appreciation of Nastassja Kinski, on the occasion of a tribute to her at the Film Society at Lincoln Center from November 27-December 3, 2014.
A special edition of the Home Entertainment Consumer Guide on Blu-ray releases for 9/23/14, including "Ida," "The Innocents," "Macbeth," "Neighbors," "The Rover" and more.
A TIFF report on "While We're Young," "Welcome to Me," "The Duke of Burgundy," "The Vanished Elephant," and "Big Game."
Author Peter Biskind revisits four auteurs from the '70s--Steven Spielberg, Martin Scorsese, Roman Polanski, and Terrence Malick.
An interview with Emmanuelle Seigner, star of Bitter Moon, The Diving Bell and the Butterfly, and the new Venus in Fur.
The best films recently added to Netflix, Hulu, and Amazon with links to RogerEbert.com' reviews.
NBC’s remake of "Rosemary’s Baby" and Showtime’s new weekly adventure series "Penny Dreadful." One is awful and it’s not the one with a synonym for the word in its title.
Ali Arikan has figured out how AMC's "Mad Men" will end.
Denis Villeneuve, the director of "Enemy", "Prisoners", and "Incendies", speaks about the influences on his new film, from "2001: A Space Odyssey" to "The Planet of the Apes".
Peter Sobczynski sings the praises of Roman Polanski's "Tess", now out on Blu-ray.
Paul Rudd is Ant Man; Richard Linklater on "Before Midnight's" fight scene; why stars we dig often work with stars we despise; "G.B.F." was rated R for being gay; "Her" and the sad-sack sensitive man.
A series of Polish films brings Krzysztof Kieslowski’s early work to NYC.
Writer Simon Abrams responds to our Movie Love Questionnaire.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".
This excerpt from James Greenberg's "Roman Polanski: A Retrospective" looks at Polanski's breakthrough American film "Rosemary's Baby."