In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_penguins_of_madagascar

Penguins of Madagascar

The pacing is so zany, the jokes are so rapid-fire and the sight gags are so inspired that it’s impossible not to get caught up…

Thumb_zrklcox7o9tjpyb9s7u6mpw8vos

Horrible Bosses 2

The law of diminishing returns, which has afflicted so many comedy sequels over the years, strikes again in “Horrible Bosses 2,” further proving that just…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#238 October 29, 2014

Sheila writes: Ebertfest 2015 may seem like a long way off, but it's really just around the corner. I wanted to alert you to the fact that passes for the 17th annual Ebertfest go on sale on November 1, this Saturday! Ebertfest will take place Wednesday, April 15th, through Sunday, April 19th, next year. You can find out more information here, as well as watch the video of Tilda Swinton's now-famous conga line, led through the Virginia Theatre in honor of Roger.

Continue reading →

#234 September 3, 2014

Sheila writes: Who doesn't love a good title sequence? I have my favorites. What are yours? The Art of the Title is a wonderful site that focuses on title sequences and in a recent post Ben Radatz and Bill Perkins write, "There are certain narrative, technical, and graphic techniques for which title design is an ideal venue. Because of its short format and creative license — and sometimes because of their budgets — title sequence real estate is often used to explore elaborate, abstract worlds previously unknown or unseen. For this reason — combined with an enduring human fascination with how things tick — Inner Workings is a theme that is frequented by a broad spectrum of genres (though, to be fair, most often by sci-fi and fantasy)." They break down some of their favorite title sequences, and how the sequences work visually and thematically. Lots of food for thought! Here's the whole post. Enjoy!

Continue reading →

In Defense of Armond White

Primary_armond-white

Walter Biggins defends Armond White, the City Arts critic and editor who was recently expelled by the New York Film Critics Circle, as a provocative but necessary voice in movie criticism.

Continue reading →

Thumbnails 12/10/2013

Primary_fullwidth.8397bf65

A celebration of A Christmas Story; The Wes Anderson Collection's first pan; Abel Ferrara breaks it down for you, pal.

Continue reading →

#191 October 30, 2013

Sheila writes: Today, October 30, is the 75th anniversary of the historic 1938 "War of the Worlds" broadcast, presented by Orson Welles and his merry band of Mercury Theater friends. In Peter Bogdanovich's book "This is Orson Welles", Welles tells Bogdanovich: "Six minutes after we’d gone on the air, the switchboards in radio stations right across the country were lighting up like Christmas trees. Houses were emptying, churches were filling up; from Nashville to Minneapolis there was wailing in the street and the rending of garments. Twenty minutes in, and we had a control room full of very bewildered cops. They didn’t know who to arrest or for what, but they did lend a certain tone to the remainder of the broadcast. We began to realize, as we plowed on with the destruction of New Jersey, that the extent of our American lunatic fringe had been underestimated." Bogdanovich later says to Welles, "The Martian broadcast didn’t really hurt you at all. Would you say it was lucky?" Welles replied, "Well, it put me in the movies. Was that lucky? I don’t know." Here is the original radio broadcast in all its mockumentary glory.

Continue reading →

Thumbnails 10/28/2013

Primary_blonde_lou_1974

Lou Reed dead at 71; more "Blue Is the Warmest" controversies; a survey of Orson Welles biographies; is consensus ruining criticism?; the cultural crater of "12 Years a Slave."

Continue reading →

Thumbnails 8/7/2013

Primary_toomuchjohnson

An Orson Welles film thought to be lost forever is discovered, Karen Black's husband writes movingly about her battle with cancer, a pink planet rocks scientists' theories of planet formation, our very own Ignatiy Vishnevetsky has been keeping busy reviewing for other sites (we're cool with that) and Mark Millar is becoming themost powerful person in comic books.

Continue reading →