Rarely has a remake felt more contractually obligated than the 2015 version of Poltergeist.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Lists from our critics and contributors on the best of 2014.
Hollywood's "female stuff" problem; Mike Leigh got John Ruskin all wrong; Update on Lindy Chamberlain; Miyazaki working on manga; Nolan defends "Interstellar" sound.
An interview with Eddie Redmayne, star of James Marsh's "The Theory of Everything."
An excerpt from Michael Koresky's new book about the great filmmaker Terence Davies, the Marcel Proust of Liverpool.
All of our video segments from Cannes 2014.
The annual presentation of the 2014 Palme de Whiskers was a star-studded affair this year.
A ranking of the ten best winners of the Palme d'Or before 2014 adds a new film to the exclusive club.
Our first video segment from the 2014 Cannes Film Festival.
Barbara Scharres reports on the second day of the Cannes Film Festival.
The 67th Cannes Film Festival kicks off with an original, adventurous and beautiful film from the great Mike Leigh.
A Steak 'n Shake opens 50 paces from the hotel where Roger Ebert used to stay during the film festival.
A video preview of Cannes 2014.
Barbara Scharres previews the 2014 Cannes Film Festival.
Cannes releases their lineup; Fargo, the TV show; Landmark anime; Under the Skin and Only Lovers Left Alive; Documentary subjects who don't want to be documentary subjects.
For Michał Oleszczyk, translating for his mom makes for a more active engagement with the movie.
Part 4 of "Cut to Black," a videotaped roundtable discussion about the end of The Sopranos and the future of television drama. Participants include RogerEbert.com editor and New York Magazine TV critic Matt Zoller Seitz, Huffington Post TV critic Maureen Ryan, A.V. Club TV critic Ryan McGee, and previously.tv contributor Sarah D. Bunting. Shot and edited by Dave Bunting, Jr.
With its partly improvised dialogue and eruptions of argument, Mike Leigh's "Life is Sweet," now on Criterion DVD, gave viewers was insight into where the director had been, artistically. It also hinted at where he was going: into territory with far more visual and verbal polish.
You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece will go out to all my print syndication customers. (“Print!” How times change.)
OK, this is where it really gets interesting. Forget the consensus Top 50 Greatest Movies of All Time; let's get personal. Sight & Sound has now published the top 250 titles in its 2012 international critics poll, the full list of more than 2,000 movies mentioned, and all the individual lists of the 845 participating critics, academics, archivists and programmers, along with any accompanying remarks they submitted. I find this to be the most captivating aspect of the survey, because it reminds us of so many terrific movies we may have forgotten about, or never even heard of. If you want to seek out surprising, rewarding movies, this is a terrific place to start looking. For the past few days I've been taking various slices at the "data" trying to find statistical patterns, and to glean from the wealth of titles some treasures I'd like to heartily recommend -- and either re-watch or catch up with myself.
I know we're supposed to consider the S&S poll a feature film "canon" -- a historically influential decennial event since 1952, but just one of many. I don't disagree with Greg Ferrara at TCM's Movie Morlocks ("Ranking the Greats: Please Make it Stop") when he says that limiting ballots to ten all-time "best" (or "favorite," "significant," "influential" titles is incredibly limiting. That's why I think perusing at the critics' personal lists, the Top 250 (cited by seven critics or more) and the full list of 2,045 films mentioned is more enjoyable pastime.
It's wise to remember that, although the top of the poll may at first glance look relatively conservative or traditional, there's a tremendous diversity in the individual lists. Even the top vote-getter, "Vertigo," was chosen by less than one quarter of the participants.
Last week Slate ran a story about the "Hollywood Career-o-Matic," which claimed to use data from Rotten Tomatoes to chart the trajectories of Hollywood careers. Interactive feature: Just enter the name of an actor or director and it will instantly generate a graph showing that person's critical ups and downs.
For example, here's one for M. Night Shyamalan, with each dot representing the Tomatometer score for the features he has directed:
Slate concludes that, according to Rotten Tomatoes data, the Best Actor in movies is Daniel Auteuil, with John Ratzenberger the best American actor, since he's voiced a character in every Pixar movie. Best Actress: Arsinée Khanjian. Worst Actress: Jennifer Love Hewitt. Best Director: Mike Leigh. Worst Director: Dennis Dugan (veteran of Adam Sandler movies such as "Happy Gilmore," "I Now Pronounce You Chuck and Larry," "You Don't Mess With the Zohan" and "Grown Ups").
Yes, this is all so silly that the mind boggles, but let's start with the premise itself: What is the correlation between reviews and careers in Hollywood? Adam Sandler and Michael Bay wouldn't look much more impressive than Shyamalan if you looked only at reviews. And the Slate piece is riddled with misconceptions about the Tomatometer: